La Jetée preceded by How Not to be Seen
Metrograph
In a post-World War III Paris, survivors use time travel to secure humanity's future. The film, composed almost entirely of still images, won the 1963 Prix Jean Vigo for best short film. It is preceded by a satirical instructional film by Hito Steyerl, which lampoons instructional cinema against a backdrop of military photo calibration targets.
La Jetée preceded by How Not to be Seen
Metrograph
In a post-World War III Paris, survivors use time travel to secure humanity's future. The film, composed almost entirely of still images, won the 1963 Prix Jean Vigo for best short film. It is preceded by a satirical instructional film by Hito Steyerl, which lampoons instructional cinema against a backdrop of military photo calibration targets.
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